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Comments Off on Kate’s 2¢: “Bluebottle: a Lew Griffin novel” by James Sallis
Kate’s 2¢: “Bluebottle: a Lew Griffin novel” by James Sallis
“Bluebottle: a Lew Griffin novel” by James Sallis
Chuck Young did a good job of narrating this story. I appreciated his clear enunciation. I enjoyed the ins and outs of this story and how the author wove it together in the end.
James Sallis – Wikipedia
James Sallis (born December 21, 1944) is an American crime writer who wrote a series of novels featuring the detective character Lew Griffin set in New Orleans, and the 2005 novel Drive, which was adapted into a 2011 film of the same name . Sallis began writing science fiction for magazines in the late 1960s.
From NLS/BARD/LOC;:
Bluebottle: a Lew Griffin novel DB58288
Sallis, James. Reading time: 4 hours, 22 minutes.
Read by Chuck Young.
Mystery and Detective Stories
Psychological Fiction
New Orleans, 1960s. African American private detective Lew Griffin is shot while leaving a downtown bar with a white woman he just met. Lew had been on his way to meet Eddie Bone–who later turned up dead. Lew recovers and looks for answers. Strong language, some descriptions of sex, and some violence. 1999.
Downloaded: April 25, 2024
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Kate’s 2¢: “Blindness” by José Saramago
Translated by Giovanni Pontiero
“Blindness” by José Saramago
Translated by Giovanni Pontiero
Terence Aselford did a good job of narrating Giovanni Pontiero translation of this book by a Portuguese author. I suppose this is similar to “Animal Farm” and other stories that show how a community can fall into chaos, panic, and turmoil. I thought there were a lot of stereotypes that were explored and exploited.
It would be nice, if in real life, the blind really did regain their sight.
From Wikipedia, the free encyclopedia
In this Portuguese name, the first or maternal family name is Sousa and the second or paternal family name is Saramago.
José Saramago
José de Sousa Saramago GColSE GColCa (Portuguese: [ʒuˈzɛ ðɨ ˈsozɐ sɐɾɐˈmaɣu]; 16 November 1922 – 18 June 2010) was a Portuguese writer. He was the recipient of the 1998 Nobel Prize in Literature for his “parables sustained by imagination, compassion and irony [with which he] continually enables us once again to apprehend an elusory reality.”[1] His works, some of which can be seen as allegories, commonly present subversive perspectives on historic events, emphasizing the theopoetic human factor. In 2003 Harold Bloom described Saramago as “the most gifted novelist alive in the world today”[2] and in 2010 said he considers Saramago to be “a permanent part of the Western canon”,[3] while James Wood praises “the distinctive tone to his fiction because he narrates his novels as if he were someone both wise and ignorant.”[4]
More than two million copies of Saramago’s books have been sold in Portugal alone and his work has been translated into 25 languages.[5][6] A proponent of libertarian communism,[7] Saramago criticized institutions such as the Catholic Church, the European Union and the International Monetary Fund. An atheist, he defended love as an instrument to improve the human condition. In 1992, the Government of Portugal under Prime Minister Aníbal Cavaco Silva ordered the removal of one of his works, The Gospel According to Jesus Christ, from the Aristeion Prize’s shortlist, claiming the work was religiously offensive. Disheartened by this political censorship of his work,[8] Saramago went into exile on the Spanish island of Lanzarote, where he lived alongside his Spanish wife Pilar del Río until his death in 2010.[9][10]
Saramago was a founding member of the National Front for the Defense of Culture in Lisbon in 1992.
Biography[edit
Saramago was born in 1922 into a family of very poor landless peasants in Azinhaga, Portugal, a small village in Ribatejo Province, some one hundred kilometres northeast of Lisbon.[9] His parents were José de Sousa and Maria da Piedade. “Saramago”, the Portuguese word for Raphanus raphanistrum (wild radish), was the insulting nickname given to his father, and was accidentally incorporated into his name by the village clerk upon registration of his birth.[9]
In 1924, Saramago’s family moved to Lisbon, where his father started working as a policeman. A few months after the family moved to the capital, his brother Francisco, older by two years, died. He spent vacations with his grandparents in Azinhaga. When his grandfather suffered a stroke and was to be taken to Lisbon for treatment, Saramago recalled, “He went into the yard of his house, where there were a few trees, fig-trees, olive trees. And he went one by one, embracing the trees and crying, saying goodbye to them because he knew he would not return. To see this, to live this, if that doesn’t mark you for the rest of your life,” Saramago said, “you have no feeling.”[11] Although Saramago was a good pupil, his parents were unable to afford to keep him in grammar school, and instead moved him to a technical school at age 12.
After graduating as a lathe operator, he worked as a car mechanic for two years. At this time Saramago had acquired a taste for reading and started to frequent a public library in Lisbon in his free time. He married Ilda Reis, a typist and later artist, in 1944 (they divorced in 1970). Their only daughter, Violante, was born in 1947.[9] By this time he was working in the Social Welfare Service as a civil servant. Later he worked at the publishing company Estúdios Cor as an editor and translator, and then as a journalist. By that time, in 1968, he met and became lover of writer Isabel da Nóbrega, the longtime partner of author and critic João Gaspar Simões. Nóbrega became Saramago’s devoted literary mentor, to whom he would later dedicate Memorial do Convento and O Ano da Morte de Ricardo Reis.
After the democratic revolution in 1974, on 9 April 1975, during the rule of Vasco Gonçalves, Saramago became the assistant director of the newspaper Diário de Notícias, and the editorial line became clearly pro-communist. A group of 30 journalists – half the editorial staff – handed the board a petition calling for the editorial line to be revised and for it to be published. A plenary was called and, following an angry intervention by Saramago, 24 journalists were expelled, accused of being right-wingers. After the Coup of 25 November 1975 that put an end to the communist PREC, Saramago, in turn, was fired from the newspaper.[12]
Saramago published his first novel, Land of Sin, in 1947. It remained his only published literary work until a poetry book, Possible Poems, was published in 1966. It was followed by another book of poems, Probably Joy, in 1970, three collections of newspaper articles in 1971, 1973 and 1974 respectively, and the long poem The Year of 1993 in 1975. A collection of political writing was published in 1976 under the title Notes. After his dismissal from Diário de Notícias in 1975, Saramago embraced his writing more seriously and in following years he published a series of important works including Manual de Pintura e Caligrafia (1977), Objecto Quase (1978), Levantado do Chão (1980) and Viagem a Portugal (1981).
Later life and international acclaim[edit]
Saramago did not achieve widespread recognition and acclaim until he was sixty, with the publication of his fourth novel, Memorial do Convento (1982). A baroque tale set during the Inquisition in 18th-century Lisbon, it tells of the love between a maimed soldier and a young clairvoyant, and of a renegade priest’s heretical dream of flight.
From NLS/BARD/LOC:
Blindness DB46904
Saramago, José; Pontiero, Giovanni. Reading time: 11 hours, 38 minutes.
Read by Terence Aselford.
Psychological Fiction
Written by the Nobel Prize- winning Portuguese author. Without cause people are suddenly becoming blind. A doctor’s wife is spared but pretends she is blind to remain with her husband. Quarantined by the government in an abandoned mental hospital, the blinded citizens create a reign of terror. Some strong language, some violence, and some descriptions of sex.
Downloaded: April 25, 2024
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Comments Off on Kate’s 2¢: “The Blue Guitar” by John Banville
Kate’s 2¢: “The Blue Guitar” by John Banville
“The Blue Guitar” by John Banville
“The Blue Guitar” by John Banville NOTE: There is a plethora of in-depth biographies of authors and reviews of their books, that state the title, author, published date, and genre; as well as, describing what the book is about, setting, and character(s), so, Kate’s 2¢ merely shares her thoughts about what she reads. Inho…
Jeremy Gage did a nice job of narrating the run-on reminiscences that comprise this story. The revelations at the end is an unexpected twist and ‘poetic’ justice.
A few take-aways:
–I do not steal for profit.
-The days smeared all over with sunlight dense and shiny as apricot jam.
–Orme made sure he had a good view of the two widows.
–The world, and women, are what they always were and will be.
–Polly was the lover. Gloria was his wife, who took him back.
From Wikipedia, the free encyclopedia
William John Banville (born 8 December 1945) is an Irish novelist, short story writer, adapter of dramas and screenwriter.[2] Though he has been described as “the heir to Proust, via Nabokov”, Banville himself maintains that W. B. Yeats and Henry James are the two real influences on his work.[3][1]
Banville has won the 1976 James Tait Black Memorial Prize, the 2003 International Nonino Prize, the 2005 Booker Prize, the 2011 Franz Kafka Prize, the 2013 Austrian State Prize for European Literature and the 2014 Prince of Asturias Award for Literature.[4] He was elected a Fellow of the Royal Society of Literature in 2007. Italy made him a Cavaliere of the Ordine della Stella d’Italia (essentially a knighthood) in 2017.[5] He is a former member of Aosdána, having voluntarily relinquished the financial stipend in 2001 to another, more impoverished, writer.[6]
Banville was born and grew up in Wexford town in south-east Ireland. He published his first novel, Nightspawn, in 1971. A second, Birchwood, followed two years later. “The Revolutions Trilogy”, published between 1976 and 1982, comprises three works, each named in reference to a renowned scientist: Doctor Copernicus, Kepler and The Newton Letter. His next work, Mefisto, had a mathematical theme. His 1989 novel The Book of Evidence, shortlisted for the Booker Prize and winner of that year’s Guinness Peat Aviation award, heralded a second trilogy, three works which deal in common with the work of art. “The Frames Trilogy” is completed by Ghosts and Athena, both published during the 1990s. Banville’s thirteenth novel, The Sea, won the Booker Prize in 2005. In addition, he publishes crime novels as Benjamin Black — most of these feature the character of Quirke, an Irish pathologist based in Dublin.
Banville is considered a contender for the Nobel Prize in Literature.[7][8] He lives in Dublin.[1]
Early life and family[edit]
William John Banville was born to Agnes (née Doran) and Martin Banville, a garage clerk, in Wexford, Ireland. He is the youngest of three siblings; his older brother Vincent is also a novelist and has written under the name Vincent Lawrence as well as his own. His sister Anne Veronica “Vonnie” Banville-Evans[9] has written both a children’s novel and a memoir of growing up in Wexford.[10] Banville stole a collection of Dylan Thomas’s poetry from Wexford County Library while in his teens.[11]
Banville was educated at CBS Primary, Wexford, a Christian Brothers school, and at St Peter’s College, Wexford. Despite having intended to be a painter and an architect, he did not attend university.[12] Banville has described this as “A great mistake. I should have gone. I regret not taking that four years of getting drunk and falling in love. But I wanted to get away from my family. I wanted to be free.”[13] Alternately he has stated that college would have had little benefit for him: “I don’t think I would have learned much more, and I don’t think I would have had the nerve to tackle some of the things I tackled as a young writer if I had been to university – I would have been beaten into submission by my lecturers.”[14]
After school, Banville worked as a clerk at Aer Lingus, which allowed him to travel at deeply discounted rates. He took advantage of these rates to travel to Greece and Italy. On his return to Ireland, he became a sub-editor at The Irish Press, eventually becoming chief sub-editor.[citation needed] before The Irish Press collapsed in 1995,[15] Banville became a sub-editor at The Irish Times. He was appointed literary editor in 1998. The Irish Times, too, endured financial troubles, and Banville was offered the choice of taking a redundancy package or working as a features department sub-editor. He left.
Banville has two sons from a marriage to the American textile artist Janet Dunham, whom he met in the United States during the 1960s. Asked in 2012 about the breakdown of that marriage, Banville’s immediate thoughts focused on the effect it had on his children; “It was hard on them”, he said.[16] Banville later went on to have two daughters from another relationship.[16] He lives in Dublin.[1]
Writing[edit]
Banville published his first book, a collection of short stories titled Long Lankin, in 1970. He has disowned his first published novel, Nightspawn, describing it as “crotchety, posturing, absurdly pretentious”.[17]
As an unknown writer in the 1980s, he toured Dublin’s bookshops — “and we had a lot of bookshops back then” — around the time of the publication of his novel Kepler “and there wasn’t a single one of any of my books anywhere”. But, he noted in 2012, “I didn’t feel badly about it because I was writing the kinds of books I wanted to write. And I had no one but myself to blame if I wasn’t making money, that wasn’t anybody’s fault. Nobody was obliged to buy my books”.[16]
From NLS/BARD/LOC:
The blue guitar DB83729
Banville, John. Reading time: 9 hours, 39 minutes.
Read by Jeremy Gage.
Psychological Fiction
Artist and petty thief Oliver Orme returns to his hometown. Olly is suffering a mid-life crisis after his affair with his best friend’s wife is discovered, and he decides to quit painting. He tries to figure out where his life went wrong. Some descriptions of sex. 2015.
Downloaded: April 25, 2024
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